The official Metallica website with all the latest news, tour dates, media and more. Join the Fan Club to become the Fifth Member of Meta. Click to share on Twitter (Opens in new window) Click to share on Facebook (Opens in new window). Engine Auto Tune Swindon Solemn Tones The Odin Deluxe Vst Plugin Download 2010 Genesis Coupe Auto Tuned Ecu 2.0t Where Does Ableton Save Vst Folder Mac Dayz Standalone Key Generator 2014 Cooking Mama Download Mac Metallica S&m Auto Tune Mixvibes U-mix Control 2 Driver.

Join us 👊 http://bit.ly/join-andriy So, do Metallica use Autotune? Here are my thoughts and proofs. Got questions? askandriy@ukr.net Business only contactandriy@ukr.net Help to translate this video: http://www.youtube.com/timedtext_video?ref=share&v=l1MPts3Q5QI HOW YOU CAN SUPPORT ME: 🎼 Buy my music http://bit.ly/andriys-music 🎸 Donate on Patreon http://bit.ly/andriys-patreon 👕 Get my T-shirts http://bit.ly/andriys-merch THANK YOU SO MUCH! m/ FREE TABS +

Metallica's Best Songs

Join us 👊 http://bit.ly/join-andriy

So, do Metallica use Autotune? Here are my thoughts and proofs.

Got questions? askandriy@ukr.net
Business only contactandriy@ukr.net

Help to translate this video: http://www.youtube.com/timedtext_video?ref=share&v=l1MPts3Q5QI

HOW YOU CAN SUPPORT ME:
🎼 Buy my music http://bit.ly/andriys-music
🎸 Donate on Patreon http://bit.ly/andriys-patreon
👕 Get my T-shirts http://bit.ly/andriys-merch
THANK YOU SO MUCH! m/

FREE TABS + NEWSLETTERS http://AndriyVasylenko.com
2ND CHANNEL https://youtube.com/AndriyVasylenko14
FACEBOOK https://facebook.com/AndriyVasylenkoOfficial
INSTAGRAM https://instagram.com/andriyvasylenko14
TOTAL CLIFF http://bit.ly/totalcliffvids Windows 7 free download.

Special thanks to Patrons for their support: James Schedlosky, Terry Martin, Matt Robinson, Brian DeRosier, Paul Miller, Tzvetomir Petrov, Kyle Johnson, Dan Lovejoy, Joshua Powell, Rene Harings, Jameson Monaghan, Kevin Jones, Marco Massacesi, Matthew Miller, Aaron Garcia, Chris Buzon, Diego Guerra, Antonio Garcia, Pablo Mouriño, Bartłomiej Hańczyc, Krystian Trymerski, Boris Matešin, Alessandro Pilotti, Jeremy Kaplan, Marcin Bielinski, Dominique Forestier, Andy Skinner, Cristiano Baiocco, Aaron Bruns, Chloe Krueger, Max Podlipny, Rodrigo Rüedas, Julius Kreeft, Felix Silberg, William Nuno, Josh Norton, Dustin Hutchison, Ricardo Espinoza, Jaxon Ables, Gaspar Acero, Tsht just, Bo Dan Petersen, James B. Levesque, Oguzhan Sahin, Jordan Mel, Ersin Sarıalioğlu, Mirco Daugsch, Ty Robinson, Jan Grimsrud, Chris C.Madden, Melinda Bowen, Nathan P. Bueno, Julian Khandros, and others m/

What Was Metallica's First Album

—–
Background music – Cool Rock by Kevin MacLeod (incompetech.com)

#Metallica #Singing #AutoTune

Comments

Write a comment

There's a concept called Hauntology, it's got a lot of waft about it, but one basic way of describing it is nostalgia for lost futures. Like how the present day, instead of having space travel and the end of scarcity and travel to Mars and shit there's cops shooting black dudes like the 60s never left, the planet is getting cooked and Bezos is racking up billions like it's pocket change while other people die because they can't afford insulin.
Mark Fisher wrote a good book on it. Anyway, you can kinda apply the concept to Metallica, sorta, and on S&M2 it's here in full view.
S&M2 gets me nostalgic for a non existent time when Metallica did the Loads (maybe it happened after AJFA, the self titled, whatever) and then realized that they had money enough for seven lifetimes and went right off the deep end, releasing stranger and stranger albums, the fanbase steadily leaving them, the band caring less and less etc. In this lost future Metallica haven't played Enter Sandman for 20 years, and Frayed Ends of Sanity is now 30 minutes long and takes up half their set. What I'm getting at here (in as slow and pretentious a manner as possible) is that the weirder stuff on S&M2 is really interesting, not always GOOD (All Within My Hands, the one good St Anger gets thoroughly ruined by an acoustic treatment) but at least interesting, and it's nice to imagine what coulda been if they'd embraced it a bit more, if Metallica weren't so committed to going down their safe but rather unsatisfying late career trajectory.
The upright bass version of Pulling Teeth is far more interesting than the original, it's not perfect but it is quite cool, Unforgiven III's symphonic makeover is both a bit awkward, kinda neat, genuinely heartfelt and unlike anything these guys have done. Halo on Fire was perhaps the best choice from Hardwired and works great. Outlaw Torn and Ktulu are the two best really really long songs these dudes have ever done, the former benefiting maybe more than any other tune from the symphony's extra colour and depth; both these marvelous, sweeping soundscapes and it's nice they're back again for the 2nd S&M. None of these tunes are gonna be competing with Justice For All as far as playcounts go but that's fine. They're trying new shit, they're not just treading water. Iron Foundry a very cool idea as well, with Metallica accompanying the orchestra, instead of the other way around.
The rest, well. You've got Enter Sandman for the millionth time. It's exactly how you imagine it, more or less. Same with One, the double bass steadily getting worse throughout the years, and a very not good arrangement that strips much of the tension from the cold, calculated original. Picking Confusion and The Day That Never Comes for the gig is a real headscratcher when Spit out The Bone doesn't get a roll in; both deep cuts that no one feels all that strongly for, might as well've include some Reload obscuros while we're here. I'm not convinced I'm musical enough to really critique the orchestral arrangements but there's problems here too. The old Kamen ones from S&M are definitely more interesting than the S&M2-only ones, which tend to just flirt around the edges of the songs and often just disappear into the mix. That said it's a shame that (from what I can tell) the Kamen ones are more or less here with no alterations. Yeah, Outlaw Torn sounds great with the Kamen arrangement. MoP and Roam and particular One sound like garbage. Why not change it up a bit?
Why not write a few songs designed to fit with an orchestra? Spend a year or two with a composer, you guys are Metallica, you can afford that shit. You can have a composer on your payroll and you wouldn't notice it. Why not fuck off Sandman, which didn't work all that great the first time, and put a cooler, riskier choice in? It's fair to say that S&M2 is a fans only release, very much so, which makes the amount of predictable, boring hits such a head scratcher.
Overall, the whole package is a bit of a blue balls kinda deal. Good production, the artwork is decent. As much a frustrating 'what could've been' kinda experience as anything. File under fans only kinda thing.

Share this:

Metallica's Best Songs

What Was Metallica's First Album

Share this:

Related

Comments

Write a comment